That YouTube heading caught my attention, and Abbie Emmons’ accompanying blog challenged my thinking about plot construction. (You can read the entire post here.) She said:
Your plot
doesn't matter; only your characters do…
In fact, the characters--more
specifically the protagonist--are your story.
Most writers think that…the most
important part of your story is the plot. They think the plot is what drives
the story and the characters are just along for the ride. Actually, it's the
other way around. I've said it before, but it bears repeating a thousand times:
Story is not about what happens; it's about how what happens affects and
transforms the characters.
This is the backbone of story. It's
the foundation, the life blood: Characters
and how they change as a result of their journey.
My first impulse was to brush this aside, but the next day I came across this passage in the autobiography of best-selling Victorian novelist Anthony Trollope:
I have never troubled myself
much about the construction of plots…The novelist has other aims than the
elucidation of his plot. He desires to make his readers so intimately
acquainted with his characters that the creatures of his brain should be to
them speaking, moving, living, human creatures. This he can never do unless he
know those fictitious personages himself, and he can never know them unless he
can live with them in the full reality of established intimacy.
They must be with him as he
lies down to sleep, and as he wakes from his dreams. He must learn to hate them
and to love them. He must argue with them, quarrel with them, forgive them, and
even submit to them. He must know of them whether they be cold-blooded or
passionate, whether true or false, and how far true, and how far false. The
depth and the breadth, and the narrowness and the shallowness of each should be
clear to him. And, as here in our outer world, we know that men and women
change—become worse or better as temptation or conscience may guide them…
Twice
challenged, I reflected on several novels I had read and movies I'd seen. I could
recall the overall theme of each story, and I could visualize the protagonist of
each one (at least the image I had constructed in my own mind). I also remembered a few major events that revealed the character qualities of each person. Beyond that, Abbie and Anthony were
right: A novel's characters took center stage, while its plot became their background.
I’ve often spent painstaking hours trying to construct a plot worthy of my characters. But didn't that simply confirm that my characters drove the plot? On the other hand, when I became familiar with my characters, they told their own stories.
Joe Allison writes both fiction and nonfiction, and has been a member of the Indiana chapter of American Christian Fiction Writers since 2010. He lives in Anderson, IN, with his wife Maribeth.
I'm not an expert (yet!) on writing novels, but I find that the better I know my characters, the more the plot crystallizes.
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