Wednesday, July 18, 2018
August 11--Getting Pitch-Ready
Our August meeting is fast-approaching, and I thought I'd give you some details. You can also find the basics on our Facebook page, and you should also have received an email.
I'm delighted that three traditionally published authors will make up our panel.
Sarah Forgrave, Michele Israel Harper, and Cara Putman will share their experiences in getting published and will provide tips on preparing a one-sheet, how to handle pitching sessions, and how to work toward publishing with an agent and/or publishing company. We'll have plenty of time for Q&A.
We expect to have a photographer on hand to take author head shots. As soon as we find out pricing, we will pass that on to you.
The meeting is August 11 from eleven-thirty until two-thirty at the MCL Cafeteria in Indianapolis.
Please RSVP to acfwindianachapter@gmail.com
Here's a short introduction to each of our panelists:
Sarah Forgrave is an author and speaker who loves to encourage others. She started writing fiction, won multiple contests, and garnered interest from publishers. However, God led her into the world of non-fiction, too. Harvest House Publishers released her first book, Prayers for Hope and Healing, in October 2017. Her second book of prayers, for caregivers, is due out in the spring of 2019. Sarah also writes devotionals for several publications.
Married with two preteens, Sarah loves to shop at Trader Joe's or curl up with a good book and a cup of tea. Find out more about her at www.sarahforgrave.com.
Michele Israel Harper, author of Wisdom & Folly: Sisters, Zombie Takeover, Beast Hunter, and the soon-to-be released Kill the Beast, is also a freelance editor and the acquisitions editor at Love2ReadLove2Write Publishing, LLC. Harper has her Bachelor of Arts in history, is slightly obsessed with all things French—including Jeanne d'Arc and La Belle et la BĂȘte—and loves editing fiction manuscripts. She hopes her involvement in writing, editing, and publishing will touch many lives in the years to come. Visit www.MicheleIsraelHarper.com to learn more about her.
Cara Putman is a woman of many talents. Currently, she serves on the executive board of ACFW, but she's also a practicing attorney, has earned her MBA, and teaches at Purdue University's Krannert School of Management.
Cara started writing to publish in 2005 after she met Colleen Coble at a book-signing. Colleen encouraged her to follow the desire of her heart, and over twenty-five books later, Cara is enjoying her dream come true. Add homeschooling her four children to the above accomplishments, and you can see why she calls herself an "all-around crazy woman!" Check out more details at www.caraputman.com.
Monday, February 14, 2011
Waiting for Hearts and Publication

Monday, January 10, 2011
Tug of War

Monday, December 13, 2010
The Google Searches of a Writer
- Is a caveman the same as a Neanderthal? Inquiring minds want to know.
Monday, November 8, 2010
The Waiting Room: A Writer's Abyss

Saturday, October 2, 2010
ACFW Conference Takeaways from a Newbie

(honorary Hoosier Tiffany Colter)

Saturday, September 4, 2010
Overcoming First-Time ACFW Conference Jitters

1) Edit my manuscript, re-edit, then throw it all out. I've found that a grande caramel macchiato from Starbucks eases the headache that ensues.
2) Try on conference-worthy clothes ten times a day, then scrap them all and go shopping. Thank you, caramel macchiatos, for changing my jacket size.
3) Stalk agent and editor blogs. Not only does this help me know what they're looking for, it gives me some good conversation starters. "So Rachelle, I see you're wearing the same red shirt, diamond earrings, and sapphire teardrop necklace you wore in your profile picture."
4) Write blog posts about my nerves and hope someone wiser has some serious tips on how to overcome my jitters.
Any takers?
Saturday, August 7, 2010
When Life Interrupts Writing

So when these things bounce into our lives, what do we do with our precious writing time? In my experience, we have three options.
#1 - Keep barreling ahead. Maybe this is borne of necessity, such as a looming deadline. Or maybe our writing time is what fuels us to get out of bed each morning. I've found that during extra difficult periods in my life, I need a creative outlet to process my struggles. Sometimes, though, we push too hard until writing adds to the stress. Then it's time to reevaluate and consider one of the next two options.
#2 - Keep writing, but scale back. If we're pushing ourselves beyond our energy stores, it might be time to scale back. Instead of writing 20 hours a week, cut it back to 15 hours or 10, or maybe even 5. If life circumstances have shifted our schedule, we may need to make a new plan of how we'll carve in writing time. With two children in the home now, I've faced this challenge. Instead of writing after my son goes to bed (which was my pre-baby routine), I'm busy taking care of my daughter during that time. So I've started enlisting my husband's help on Saturday mornings so I can get a few good hours of writing time. In a couple months, that plan may change again.
#3 - Step away. Some life events dictate that we step away from writing for a season. I did this for the first month after my daughter's birth. I made the decision that my family and my health were more important. Other writers take longer hiatuses, sometimes several years. If we feel God's prompting to step away and if we follow His prompting, I believe He'll bring us back more refreshed and ready to write with passion and purpose.
So what about you? What do you do when life interrupts your writing? Have you ever stepped away for a time?
Saturday, May 1, 2010
Clichés Are for the Birds
We're all told to avoid them, yet they show up in every writer's first draft. The key is catching them in the second, third, or fourth draft. So in honor of our pledge as writers to avoid clichés, here are my top seven cliché phrases (because a Top Ten list would be way too cliché).
7) The difference was like night and day. - Or black and white, or Baptist and Pentecostal.
6) It happened in the blink of an eye. - Or, It happened faster than a stomach clench at reading all these clichés.
5) I feel as big as a beached whale. - Cliché or not, this one is true thanks to my baby belly. Here's another true statement: I feel bigger than a hippopotamus on steroids.
4) Don't let the cat out of the bag. - Instead of freshening this one up, I just have to ask who put the cat in the bag in the first place? And who is going to get the poor thing out?
3) We can't afford to lose. - If we lose, we'll be sorrier than all these washed-up writers who can't freshen up their clichés.
2) It's as easy as pie. - Who said making a pie was easy? For me, It's as easy as a frozen Marie Callendar pie.
1) She was scared to death. - Her fear rivaled that of a writer stuck in a time warp of bad clichés.
What are your toughest clichés to kick? Do you have any fresh takes on the clichés in this list?
Saturday, April 3, 2010
Happy Easter!
I hope you and your family have a restful, blessed, and memorable EASTER!
Saturday, March 6, 2010
Is It Time to De-Stress?
I didn't step away completely, but I did learn that certain times in life require me to say "No", so that I can say "Yes" to my most important priorities. For me, that meant saying "No" to attending every Mom's group and blogging at a frenetic pace, so I could say "Yes" to my physical well-being, my family, and my writing goals (which have adjusted as a result of my down time).
I recently did a Google search on de-stressing, and I found a site called "100 Ways to Reduce Stress". Take the time to read it. You'll feel yourself de-stressing just looking through the list. And since writing is still a high priority for me, I think doing many of these activities will serve to make me a better writer in the process.
Where is your stress level these days? What can you cut out or add to your life to make you a more effective writer?
Saturday, February 6, 2010
Fiction Lessons from Diego
To demonstrate, here's a summary of one of my son's favorite episodes:
- Diego is at the rescue center and hears an animal in trouble calling out for help. Diego and his sister, Alicia, figure out that the animal is a chinchilla named Chinta. Chinta is stuck on a tree branch over the water and can't swim.
- Diego heads out to save Chinta and arrives at the waterfall. He has to figure out a way to get down the waterfall in order to reach Chinta.
- Diego uses his rescue pack as a hang glider, and on his way down, the Bobo monkeys are on the same tree as Chinta, causing trouble and scaring Chinta in the process. Diego uses his classic line, "Freeze Bobos", and gets the monkeys to leave.
- Chinta's tree branch starts to break, and Diego swoops down on his hang glider and catches her.
- Once they get to dry ground, Chinta is hungry, finds leaves to eat, and misses her Mami and Papi. Diego promises to take her back to her family.
- They set off but can't find chinchilla mountain. Diego uses his spotting scope to find it.
- Puma comes up behind them and scares Chinta. Diego and Chinta hop over cactus plants to escape.
- They arrive at a dark cave and must go through it if they'll get to the mountain. There are multiple paths in the cave, and Chinta uses her good hearing skills to choose the right path. They make it out of the cave and see the mountain again.
- The mountain is too rocky for them to walk up, so they hop up like chinchillas.
- They reach the top of the mountain and reunite Chinta with her family.
Did you figure out the pattern? With every victory Diego achieves, a new challenge instantly presents itself. The writers of Go Diego Go! have figured out how to harness a toddler's attention (and it works, believe me!). They never let the viewer rest or get too comfortable until the very end.
Sometimes the attention span of adult readers isn't much longer than a toddler's. I've read advice in books and blogs about keeping conflict high in fiction. In Camy Tang's Story Sensei blog, she goes so far as to ask whether you have conflict in every page, or even every paragraph. If we take this advice to heart in our novels, we just might capture and retain the reader's attention from start to finish (and maybe they'll even redecorate their room into the theme of your book). :-)
Do you prefer to read a novel with high conflict or low conflict? Do you find it easy or hard to infiltrate tension into each page of your novel? How do you keep it from feeling contrived?