"Hoosier Ink" Blog

Showing posts with label Rick Barry. Show all posts
Showing posts with label Rick Barry. Show all posts

Tuesday, November 22, 2022

Where in the World is Rick Barry? (November 2022 Update)

All though Rick and I have frequent interaction, I thought it would be nice to give everyone a chance to catch up (virtually) with our friend (and previous ACFW Indiana Chapter President) Rick Barry, since many things have changed for him since he last hung his hat in Indiana.

Hello Rick. It's been a while (January 2021) since we've caught up with you. Thank you for taking the time to chat today.

Thanks for another invitation to an interview. I’m happy to do it!

First of all, can you give us a snapshot of why you originally left Indiana and then how you ended up back?

I left Indiana in February 2016 to be Dad’s live-in caregiver in Michigan. He had reached the point where he couldn’t take care of himself anymore. Then, after nearly 3 years, my stepdad in Alabama suffered a massive stroke. So, I passed Dad to my brother and sister-in-law’s care for what I thought might be 3 or 4 weeks so I could go take care of Mom (dementia) until my stepdad got back on his feet. But he never recovered and passed away. My Alabama sojourn stretched 3 weeks into 3 ½ years. In March, Mom joined the Lord in Heaven, freeing me up to return to Indiana once I’d completed all my duties as executor. 

How has self-publishing been going for you? 

Of my 5 published novels, I self-published the last two, both while serving as a caregiver. Because I’d seen some extremely amateurish self-pub'd books, I didn’t rush. I wanted my finished products to look as sharp as traditionally published books.

Where did you learn how to do this?

In part, I studied guides by other authors who have self-published. There’s much to know, and the learning curve can be steep. Sometimes I posed questions in various online forums, and occasionally I simply Googled specific questions. For the covers, I hired a professional designer, the same designer who created the cover my third book, The Methuselah Project, which Kregel Publications released. I also hired experienced editors to catch mistakes in my blind spots.

What "tools" are involved?

You don’t want to simply publish your Word doc manuscript as a book. In my case, I ended up gravitating toward Vellum software, which allows you to import your story from Word and then to format it as you please, quite intuitively, whether for a print book or an ebook. Vellum will even show exactly how your story will appear page by page, both in print and on various electronic devices, which I found helpful for tweaking the final version. There are other formatting programs available. Each author must study the options, ask others who have used them, and then make a decision.

Looking back since your initial novel was published, what would you say has been the biggest change in the industry?

My first book, Gunner’s Run, released in 2007. At that time, the publisher never asked whether I have a website or whether I’m active on social media. The publisher considered marketing to be their department and didn’t expect me to get involved, except possibly for occasional book signings. But those days are as extinct as dinosaurs. Whether you’re traditionally published or self-published, nowadays you must be willing to participate in marketing your own books.

Tell us about your most recent project.

The Next Fithian: An Ordinary Teen on a Strange New World began as a series of short stories that Focus on the Family asked me to create and develop for teen guys. At the time, I considered those short stories just a one-time writing gig and then moved on. But as time passed, the essence of those stories kept coming back to me. I felt as if the story stuck inside my brain like Velcro, practically insisting I recast those initial short stories into a full-length novel. Eventually, that’s what I did.

What's currently on the writing desk? If a new genre, what makes you want to pursue that outside of your current genre writing history?

Lately I’ve been writing mainly devotionals and some short stories for various editors. And a bit of freelance editing. I’ve done such short work since the beginning of my writing journey, and in all the muddle of 2022—losing Mom, overseeing the funeral and being her executor, moving back to Indiana, resuming my job at the Christian ministry where I worked before, house hunting—I’ve felt pulled in too many directions to concentrate properly on a novel. But now that I’m settling into a new (to me) home, it’s time to resume work on something new to me: a romance novel featuring a biplane pilot. It’s a fun change of pace, and I’m a romantic at heart despite my earlier novels of WW II aviators, etc.

What advice can you give new writers?

As others have stated, read widely. Read excellent books. Without even trying, you will soak up tips and tricks regarding punctuation, description, character develop, pacing, and so much more. In my opinion, even listening to audio books is no replacement for actually reading books, since you need to picture your own story visually on a screen as you create it.

Do you have a "writing support group?"

Not a group that I meet with regularly. However, whenever I need test readers for an early version of a manuscript, I’ve been blessed with enough volunteers to spot areas that need improvement.

How do you balance a secondary writing life with your day job?

It’s a challenge. My day job consists of many hours at a computer screen. I translate Russian documents to English (and sometimes vice versa), I write articles for the ministry newsletters, I create the annual prayer calendar for our ministry, I handle correspondence… At times, the idea of going home, eating supper, and then sitting in front of a computer isn’t at all appealing. You have to love your core story enough to keep going back to the screen and adding more lines to it.

When is your favorite time of day to write?

Mid-morning and right after lunch. However, with a full-time job, I don’t often have that opportunity anymore.

Where is your favorite place to write?

I like coffee shops, particularly Panera. A place where I can commandeer a corner and write while other people and their lives swirl around me. Even though I typically tune them out as I write, it’s still nice to have human beings around. Writing for long stretches in an empty house is akin to writing in solitary confinement, lol.

What inspires you to write?

Other authors’ well-told tales. Seeing how other authors build tension, inject unexpected humor, elicit a tear, tug at your heart, or leave reader with a deeply satisfying conclusion is inspiring!

Well Rick, once again, it's been a pleasure to interview and catch up on your history.

So glad to see you back in Indiana and hope to see you at the Indiana meetings (both zoom and in-person).  Thank you very much. Now that life is getting back to normal, I’m looking forward to attending more events, too!


Tuesday, January 26, 2021

Catching up with Author Rick Barry

Hello everyone! For your reading pleasure today, I'm happy to catch up with longtime friend and writing mentor, Rick Barry. 

DARREN: Rick, thank you for taking time to "e-join" us to bring everyone up-to-date on your life events and writing journey.

RICK: Thanks for the opportunity, Darren!

 

DARREN: Where in the world are you now and what have you been up to?

RICK: For the past 2+ years, I’ve been in northern Alabama, where I’m a caregiver for my mother. Since I can’t really fulfill this role of caregiving while holding a full-time job, I live in her home and do freelance writing, editing, and translating to earn income.

 

DARREN: I know you've recently published a follow-up novel to The Methuselah Project, can you tell us a little bit about that novel?

RICK: The follow-up book is titled Methuselah Project S.O.S. Although it’s a sequel, I purposely crafted the story in such a way that readers can understand and enjoy it even if they never saw the first book. The action takes place a few years after the original story. Now, Roger Greene is a pilot in the modern Air Force. But when the CIA taps him for duty on a covert mission involving the Heritage Organization (which he once escaped), this pilot lands in more than danger than he ever imagined. It includes a touch of romance, too.

 

DARREN: Who is your primary audience for these suspense novels?

RICK: Interesting question. As I wrote these Methuselah novels, I wrote in a such a way to appeal to both male and female fans of suspense. But when I check the statistics of readers who follow my Facebook author page, I see that nearly half of them are women, ages 35 to 65. Of course, there are male and female followers who are younger and older, but this is my largest block of readers. (And it’s so fun when reviewers write something like, “I don’t usually read this kind of novel, but I gave it a try and loved it!”)

 

DARREN: What has been your experience on the self-pub journey? Software used, platforms, etc. Can you compare the journey in self-pub vs. your prior novels being published traditionally?

RICK: With more and more terrific authors diving into self-publishing with good results, I’d been wanting to give it a try for some time. I had a couple different manuscripts as options but ended up choosing Methuselah Project S.O.S. I confess that working with traditional publishers is much easier. They provide the editors, proofreaders, cover designers, and they resolve all of the technicalities of the actual printing process. 

A self-pubber must be ready to learn many new skills and be prepared to solve one problem after another in prepping the manuscript for publication: Hiring experienced editors & proofreader, cover designer, formatting the polished manuscript and using Scrivener or Vellum or other software. The designer’s cover art might need adjusting from RGB color scheme to CMYK for professional printing procedures. You might need to convert the final formatted PDF into a different type of PDF, too. (I had no idea how many different types of PDFs exist until I self-pubbed.) 

Furthermore, the self-pubber needs to learn the disadvantages and advantages of various companies to partner with in order to produce and market paperback versions and ebook versions. (Examples are Amazon KDP, IngramSpark, and Draft2Digital.) There is so much more to learn before you can self-pub. New questions and problems constantly confronted me.  

 

DARREN: What is your greatest struggle as a writer?

RICK: The time barrier. There are only so many hours in a day, and as a caregiver not all of those hours are mine to use as I would like. Still, I press forward with what time I have.

 

DARREN: How has "the Covid life" affected your writing, or has it?

RICK: It hasn’t affected my writing much at all. I was already confined to working alone, at home, long before Covid-19. When other people started complaining that they had to work from home instead of in an office with colleagues, I thought, “Join the club!”

 

DARREN: What is your next writing venture? What’s next in the Rick Barry Universe?

RICK: I’m now heating up a fun project that has been on the back burner for a long time. It began as a series of 3 short science fiction stories that I wrote for Focus on the Family years ago. I’ve taken the original premise and expanded and continued the story into a YA sci-fi tale revolving around a 17-year-old Christian guy who winds up in a bizarre adventure that I call The Next Fithian. I contracted speculative-fiction author Sharon Hinck to do the substantive edit. Imagine my excitement when this seasoned writer declared the story “great” and “wonderful”! To be sure, she found many passages that needed polish, but her enthusiasm has been extremely encouraging.

 

DARREN: Can you give some advice on writing to non-fulltime writers who can only write during "spare" time?

RICK: I wrote my first three novels while working full time, so I can relate. The fact is, MOST novelists have fulltime jobs and write whenever they can fit it in. My day job required much time in front of a computer screen. Sometimes my eyes grew sick of gazing at a monitor. Other times I felt brain dead. Excuses for not writing are a penny a dozen—“I’m too tired,” “I don’t have enough time,” “I’m not ready,” “My idea needs more development before I can start,” “I can’t concentrate unless I have large blocks of time,” “I have to watch my favorite TV show and read all of my books first,” etc, etc. 

But a person who truly has a God-given yen to write absolutely MUST overcome all of the excuses and find a way, or it will never happen. If we give excuses the upper hand, then they will keep us from writing all the way to the grave. Can’t you find time to sit and compose just one double-spaced page (250 words) a day? (It’s totally okay if each page is garbage that needs a ton of editing. Just get it down.) What, you seriously can’t carve out enough time to type just one page? Okay, then, sit down and type just one paragraph each day. Or even one measly sentence per day. 

If you can consistently add something—anything—to your manuscript 5 or 6 days per week, then in time that steady persistence will grow full novels. I’ve seen such simple stick-to-it-iveness work for busy homeschool moms with many kids. I’ve seen it work for a secretary who composed her very first novel one letter at a time on her cellphone (incredible!) each day during her lunch break. It’s not easy, but nobody ever said writing is easy.

DARREN: Well, thank you for taking time to chat today. If we want to learn more about you, where can we go and where can we find your books?

RICK: The best place to go is my website, rickcbarry.com. It includes more about me, plus a page dedicated to all of my published novels. The books themselves are available on Amazon and anywhere books are sold.

 

DARREN: Thank you again for taking the time to interview and I'm really excited to see what comes next for you!

RICK: Thank you very much!


Darren Kehrer writes Science Fiction and Christian Speculative Fiction; however, his current writing project is a book on leadership: The Adventure Guide to Leadership, which views leadership as a journey accumulating best practices along the way.

Monday, February 12, 2018

Catching Up with Author Rick Barry: Life as a Full Time Writer

Darren: Hello Rick, and welcome! I’m sure many of your readers have been keeping up with your adventures through Facebook, Twitter, and your own website, so I will keep those type of questions limited and brief.


Rick: Thanks for asking for an interview. It’s an honor.

Darren: It seems like just yesterday that you were the President of ACFW-Indiana and I was your VP. My, how time flies! Since then, you’ve had several life events that have transplanted you to Michigan. But those events have allowed you to pursue a career with full-time writing. Can you share some of the successes and struggles this transition has generated?

Rick: Life is full of hard realities, and one of those is aging parents. My father had been living alone, but his failing memory and stamina no longer allowed him to live alone. I moved in with him to take care of cooking, cleaning, laundry, and home maintenance. Instead of taking a job while caring for Dad, I began working as a freelance writer, editor, and Russian translator. Actually, I had already been doing all of those, but this was the first time my full income came from those three activities.

Darren: What is your current main writing focus and where are you in that process?

Rick: Although I write short assignments for such publishers as Focus on the Family, Answers magazine, and Regular Baptist Press, those provide quick income to keep me in the black as I work on my next novel, which is a sequel to The Methuselah Project. I’m about 55,000 words into it.

Darren: You’ve pursued more than just writing. I know you worked as an extra in Captain America: Civil War, applied for the Survivor TV show, and recently you submitted a movie screenplay in an international contest that took you to California. Can you share with us more about those events and what motivates you to pursue them?

Rick: For the Captain America gig, I was actually online searching for live casting calls when I stumbled across a call for people in Atlanta to be extras. I sent them my photos and information, and within 24 hours they asked me to come. So I spent a full day as a mourner at Peggy Carter’s funeral and saw Chris Evans and other well-known actors. They paid me for my time, and also fed us breakfast, lunch, and supper. For Cap, I would’ve done it for free. But I wasn’t going to turn down free meals and money!

As for Survivor, I’ve applied quite a few times. Competition is fierce, though. Unless your audition video hits it out of the ballpark with the casting, you don’t hear back. Maybe they figured viewers wouldn’t want to watch me sit on the beach and plot my next book in the sand?

And I’ve had a growing interest in wholesome, God-glorifying films. So I took a class in writing screenplays, and then continued to study the structure. Three times now I’ve entered Movieguide’s annual Kairos Prize, which comes with a $15,000 prize for the winner. The first two times I heard nothing back. But in February I was one of 10 Finalists out of hundreds of submissions from over 20 countries. I didn’t win, but just being a finalist was extremely encouraging.

Darren: I know you write more than fiction, what other writing projects have you been working on?

Rick: I’ve written many devotional articles for Christian publications. The January/February issue of Answers magazine includes my interview with a Harvard-educated Christian geneticist.

Darren: Now I want to shift gears, slightly, and focus on the full- time writing aspect. Isn’t it always every writer’s dream to actually be able to write full time? Any advice for those of us wanting to follow in your footsteps?

Rick: Yes. Don’t do it! That is, not unless you have a spouse to support you, or unless you make a big sale that positions you comfortably to live without other income. Writing for publication can be very iffy. You’re never guaranteed of sales for your work, and you must constantly force yourself to produce, always produce. You must really be a self-starter who can crack the whip at yourself and say “Sorry, no,” to all the people who believe you sit around with tons of free time since you “don’t have a job.”

Darren: As far as technology goes, what type of computer and software have you been using?
Some fancy apps or just the basics? What other reference materials do you use or suggest?

Rick: My MacBook Pro is my go-to piece of equipment. It goes where I go. My main writing programs are the standard MS Word for most manuscripts, and for screenplays I use Final Draft, which is specially designed to facilitate formatting scripts.

For anyone interested in references for writing screenplays, I constantly referred to The Screenwriter’s Bible, by David Trottier. That reference work got my script into the 10 Finalists. You can also find and download screenplays of my many movies for free. Each one is it’s own lesson on script writing.

Darren: I know your website has really evolved over the past few years. Any advice there?

Rick: Mine isn’t as fancy as many others. I’ve tried to keep in mind that most visitors don’t care about the author. They want to know, “What’s here for me?” that one fact will shape what you include on an author site.

Darren: Where is your favorite place to write? Where do you find your creative energies flow the most?

Rick: I like to go places where I can work, yet still be around people, such as the local library, or a favorite coffee shop.

Darren: Are you involved in the ACFW in Michigan?

Rick: Yes, I’m the Secretary for the Great Lakes Chapter.

Darren: Well, I’ve enjoyed diving deeper into the world of Rick Barry, and I hope our readers have enjoyed reading what you’ve been up to since leaving Indiana. Thank you for taking time to bring us all up to speed. We are looking forward to more publications from the desk of Rick Barry!

To Follow Rick:



Monday, September 14, 2015

Author Interview with Rick Barry- The Methuselah Project

By Darren Kehrer
Thank you, Rick, for taking the time to chat with me in the realm of cyberspace.
Your welcome...glad to be here.
1.) When did your first get the idea for The Methuselah Project?
That’s honestly hard to answer. The initial ideas began forming back about 2008. I wanted a character from the past who ends up in our time, but still looking young. Plus, I wanted a good dose of romance. Yet, I didn’t want time machines, or space ships, or any such devices. The solution I developed was a secret German experiment. So there’s a light sci-fi thread, but the novel overall would be categorized as suspense rather than sci-fi.

2.) What has been the most frustrating experience in writing this book?

First, trying to land an agent. That’s always the first hurdle in today’s publishing environment. Second, waiting for a publisher to take an interest. But in His time, the Lord sent me both an agent and a publisher—Kregel—who loved this story as much as I do.

3.) How many major rewrites did you do on TMP?
More than I can count! Part of my writing style is to revise and polish the previous chapters before adding new words. So each chapter received automatic revising this way. Then Kregel assigned three editors to go over the manuscript, each one combing the pages in search of stray errors or for ways to enhance the story.

4.) I see that this book is also available as an ebook on different reading engines? Any comments on that?
Yes, there’s an ebook version. In fact, a clerk at our post office told me she had downloaded it as an ebook and enjoyed reading a customer’s book via her telephone. I was pleasantly surprised! Paper books are not extinct by a long shot, but it’s crucial to have ebook formats too.

5.) Did you have anything to say about the cover, blurbs on the back?
I have nothing but praise for the work of Sarah Slattery, Kregel’s graphic artist who designed the cover. Countless readers tell me how much they like the mix of the current-day guy and girl and a WW 2 fighter plane. It’s different, even intriguing.

6.) The endorsements are extremely well thought out and glowing by the contributors.
Each of those endorsers wrote what they felt. I’m just pleased that they enjoyed the story so much. If they hadn’t, I’m sure none of them would have submitted comments to the publisher.

7.) How have you gone about self promoting the book?

Kregel Publications has been coordinating a blog tour for the book. That is, they offer one free copy of the book to online reviewers in exchange for an honest opinion. To beef up the number of bloggers, I’ve also hired a PR firm to arrange even more reviews. Of course, the hope is that reviewers who don’t like this sort of fiction will not volunteer to review it. But there is no obligation to like the story. Each blogger is free to express their true opinions. So far, I’ve thanked the Lord for the positive responses I’ve seen.

8.) How did the journey from start to finish on this book project differ from your previous ventures?

It was a longer journey from start to finish. I believed in Roger Greene and his story, but I realized up front it was a bit different. Each publisher knows what works for their company, and they tend not to stray from tried-and-true genres. My mix of suspense, romance, and a tinge of sci-fi must have caused some editors to shake their heads as a risk. But I’m thrilled the editors at Kregel loved it enough to give it a shot. Many readers are glad they did.

9.) If you had to do it all over again, what would you do differently?
Many plot elements had to be figured out step by step. It was somewhat a process of discovery. I’m not sure what I could do differently, but the story is close to my heart, so I would definitely write it all over again.

10.) Sequel?
Definitely. It’s not contracted, but that’s the plan.

11.) I understand you've been building a new author website with more information about you and your books. Where can we find it?

It's at: rickcbarry.com

11.) Thank you so much for taking the time to interview for Hoosier Ink.

Thank you for taking time to interview me! I also want to thank my wife, Pam, to whom the book is dedicated. She has been a steadfast believer in me and this story, which she says is my best yet. Pam has been very patient with my many hours at the computer.


---End Transmission--

Monday, April 6, 2015

You have to be a little loopy to be a writer

I recently had the privilege of signing and selling books for two days with three other Hoosier writers and members of ACFW: Rick Barry, Rachael Phillips and Jerry Slauter.

The hand on the chin pose covers a myriad of old lady flaws
I came to a satisfying conclusion.

You have to be a little loopy to be a writer.

Either that, or loopy people become writers.

On with the show!
 And yet, I never feel as good in my skin as I do when I'm hanging out with other people who hear voices in their head.

I breathe a sigh of relief and say to myself, "So it's not just me that feels this way!" That's what makes an organization like ACFW so valuable. It fuels and inspires me to carry on. I'm not crazy. Other writers are "different" just like me.

Okay, odd. We're just plain odd. Admittedly, I'm odder than most. Okay, fine. They probably aren't odd at all, and are just being nice to me because they recognize they're dealing with one peculiar human and are scared. "Walk lightly with this one, folks. Her elevator doesn't only not go to the top, it doesn't even have a pully."

Still, it was a great privilege to share my table with Rachael Phillips. I bought several of her books and read one of them while we waited at the table. If you liked Nancy Drew mysteries as a kid, you'll love Rachael's grown-up mysteries.

Precious, funny, lovely Rachael Phillips
I shared booth space with Rick Barry, current president of ACFW-Indiana and author, Jerry Slauter. It was fascinating listening to their stories about how they came to write their books. Homeschoolers seemed to gobble them up, too. (The books, not the authors. Although, I do believe they were quite popular!)  And doesn't Rick look dapper in his WW II uniform? (Don't forget to tell Jerry he looks dapper, too. He gets his feelings hurt easily.)

The very dapper Rick Barry and Jerry Slauter
Want to meet these fascinating people? Join the ACFW-Indiana Chapter at their next event. You can download the .pdf flyer here: Join ACFW Indiana in April to Learn from Experienced Authors!

Or click on the picture below to enlarge and print it.

Do you like hanging out with other authors like I do? Why or why not? Leave me a comment and I'll enter you in a drawing for an autographed copy of my novel, The Pastor's Wife Wears Biker Boots! Once you read it, you're sure to understand how my elevator works. Or not.



Thursday, November 6, 2014

Help with Prepositions

For five years I worked as a full-time editor. During that time, I saw more grammatical and spelling errors than I can count. However, certain errors wormed their way into manuscript after manuscript of many different authors. Nowadays I see those same errors often repeated. 

If you want to strengthen your grip on proper English, here are a couple easy tips about prepositions.

On/Onto

The preposition "on" generally shows static location:

John was on the boat.

But what about this sentence?

John jumped on the speedboat.

Despite common improper usage, that sentence means that John was already on the boat and was jumping up and down there. It does not mean that he started someplace else and took a leap that ended on the boat. If you intend to say that John started out on a pier, or on a ship, or on some other object then leaped, ending on the speedboat, then that would be written with a different preposition, the one that incorporates motion:

John jumped onto the speedboat. 

So, "on" indicates location, but "onto" shows motion from one place to another. (True, there are figures of speech such as "on drugs" or "on a roll," but this discussion concerns only the most literal use of the prepositions.)

In/Into

Another little preposition that often causes writers to stumble is "in." Consider the following:

Jane walks in the gym.

That reveals Jane is already located inside a gym and that she is walking. Maybe she's on a track, maybe on a treadmill, but inside the gym is where she does her walking. That sentence does not mean Jane had been standing outside, then stepped through the gymnasium doorway. That concept uses a different preposition, the one that incorporates motion:

Jane walks into the gym. 

Once again, many non-literal figures of speech use "in" and have nothing to do with physical location ("in love," "in trouble," "to be in luck").

In summary, if you want to show literal motion and not simply location, remember to write "onto" and "into."  Mastering such fine points will show editors you actually know how to write.


Rick Barry has freelanced hundreds of articles and short stories and had two novels published. Kregel Books has slated his third novel, The Methuselah Project, for Fall 2015.

Thursday, October 2, 2014

Yes, You Need the Conference Recording

by Rick Barry

          I didn't used to buy recordings of writers conferences. My thinking was, "Hey, I was there. I already heard the sessions I wanted most." Big mistake.
          Unless you have a superhuman memory that retains every thought, there's no way you can fully grasp and keep all the explanations, insights, and tips that you heard at a conference. Sure, you took notes on some key points, but how often do you pull out those notes and review them in following months? (Neither do I.) By listening to recordings of the workshops later, the concepts in them will sink deeper into your understanding and memory.
          Another bonus of owning the recordings (typically in MP3 format, but sometimes on CD) is that information you didn't need last week can become truly helpful next month or next year. (There's nothing like selling a manuscript to make you wish you had attended that session on marketing or the author/editor relationship!)
          "But I never sit in one place long enough to listen to the recordings." I don't either. My favorite place to review writers conference is in the car, while driving. This is a fantastic way to use otherwise wasted time traveling to work or to pick up the kids at school.
          "Well, my car is older. The radio doesn't have a port for a flash drive." Same here! My good ol'
A simple, inexpensive MP3 player/FM transmitter.
2005 Buick LeSabre (I know--"old person's car") has a fine radio, but no USB port. The solution is simple. For about $10 you can buy an MP3 player FM transmitter for your car. Simply plug the transmitter into the spot for the cigarette lighter, insert your conference flash drive into the device, set your car FM radio to a number that has no radio station on it, and then tune the FM transmitter to broadcast on that frequency. Boom! Suddenly your radio can pick up the workshops from the transmitter. With a click of the up/down buttons, you can cycle from workshop to workshop without even taking your eyes from the road.
          "But I haven't even attended a writers conference." Well, this way you can still gain many of the benefits of a conference without having been there. No, you won't be able to sit down with editors or agents to pitch your book idea. Neither will you have the fun of networking with other writers. But you'll still reap a boatload of information and inspiration at a fraction of the cost of attending. Most of my conference recordings come from the American Christian Fiction Writers conferences. Anyone can order flash drives loaded with sessions from past conferences here:

http://www.acfw.com/conference

          Have I convinced you yet? If so, start listening. Your writing and submitting are bound to improve!


Rick Barry has freelanced hundreds of articles and short stories, had two novels published, and recently sold a third novel to Kregel Publications!          

Thursday, September 4, 2014

"It's Not Quite There."

by Rick Barry

In response to a manuscript I once submitted to an agent, I received the following reply: "It's not quite there." The agent was polite. The note was even handwritten, which I appreciated. However, as I sat and reread those words, I wondered what my story needed to be "all the way there" instead of not quite there. The problem was, I'd already spent so many hours with my characters and their predicament that I could no longer view my own pages objectively.

After that experience, another writer requested that I take a look at part of a manuscript and give some frank feedback. (By the way, only frank feedback is helpful. Feedback that praises the writer when the quality is lacking actually hurts the writer by instilling false confidence and misleading him or her.) As I read the pages, I truly wanted to tell my acquaintance, "This is great. Keep up the good work!" Instead, the words that came to mind were "It's not quite there." And I understood what the agent meant about my own story.

You see, the draft I was reading simply lacked polish. At times the heroine did things that didn't make sense based on what the story revealed about her. She was also a bit of a cardboard cutout rather than coming across like a real person. For the most part, the grammar and punctuation were okay even if not stellar. Yet, sentence by sentence the story simply unfolded in a straightforward way from Point A to Point Z. There were no clever plays on words. No irony. No red herrings to keep the reader intrigued. The setting descriptions also lacked pizazz. Sure, there were descriptions of locale, so I knew where the heroine was. But those locations didn't come alive. There were sights and sounds, but little or no sense of smell, of taste, or touch.

In other words, as I proofed this manuscript, it certainly was complete as far solving the mystery and uniting the boy and girl. But was the tale polished to the point where a publisher would say, "We'll offer you a contract for this"? Regrettably, no. The story wasn't quite there.

With the input of a professional writing coach, I attacked my story with hammer and chisel. I knocked off rough portions I'd left in the story, injected fresh elements where needed, then grabbed sandpaper and started polishing. The end result is an improved manuscript that caught the eye of a literary agent. Now she is shopping that story to publishers.

What's my point? Try to scrutinize your own words with a professional eye, not with your author's eyes. Step back. Be objective. Compare your style, your phrasing, your everything to the writing of your favorite authors. When you can see why your story is "not quite there," you will have taken the first step toward improving it!



Rick Barry has freelanced hundreds of articles and short stories, had two novels published, and has more projects in the works.


Thursday, August 7, 2014

What Do You Request from Proofreaders?

Smart authors realize the wisdom of getting others' input on their manuscripts. Some authors use "Alpha" readers, which some define as readers who provide feedback on a story as the book is being written. Others rely on "Beta" readers, who take the finished the manuscript and comment on the whole work before it gets submitted. (And yes, the two groups can overlap.)
No matter what you label the friends and colleagues who provide feedback on your manuscripts, you need to decide what it is you're asking them to do. Unless you tell them upfront, those helpful ones won't know for sure how to help you.
I call upon different friends to read and comment on various projects. A couple are fellow authors, but not all. Successful authors are busy people, so they might know their stuff, but they have many demands on their time. I prefer to call upon well-read acquaintances who love books and can articulate what works and what does not in a story.  
I don't keep a formal checklist of questions, but I here are some points I especially ask my readers to keep in mind:
1. Do NOT worry about hurting my feelings. Writing is business, and if anything about the story is ho-hum or worse, it does me no favors to pretend the manuscript is fine exactly as it is. Be brutal! Point out things that need more polish no matter how badly I might like to finish the project.

2. If you sincerely do like the story, that is great. BUT, don't just tell me you like it. What could make it better? Can a character be improved? Are there scenes that drag? Anything about the title rub you the wrong way? Could you see what was coming too easily? Anything that might add intrigue or suspense? Other ways the story could be strengthened?

3. Is the ending satisfying? If not, what went wrong for you personally?

4. If my readers have the time and inclination to catch typos, grammatical errors, mechanical glitches, etc., I love that. But I ask them to put more stress on the story itself. If the story puts them to sleep, no amount of technical perfection will help it to sell. (By the way, line-by-line editing is time-consuming and tedious. Consider hiring a professional if you want this kind of help, since it's quite a huge chore to request as a free favor.)


Are there other points you writers request of your proofreaders? If so, please share them!




Rick Barry has freelanced hundreds of articles and short stories, had two novels published, and has more projects in the works.


Thursday, July 3, 2014

Goblins Spamming Your Blog Posts?

by Rick Barry

For months I experienced a daily nuisance. Maybe you have, too--spam comments on blog posts. And not the more recent posts. The goblins' comments always targeted my first couple of  posts of 2014.  But how to block them?

The spam messages might have been less irksome if they at least stated something connected to my post. Instead, I received pointless comments stating, for instance:

When most gamers found out about the i – OS App Store (along with the various other stores for mobile devices), many of them thought the games on the store would never amount to anything substantial.

Other comments arrived in horrendous English:

"Hi mates, how is everything, and what you wish for to say concerning this article, in my view its actually remarkable designed for me. Here is my blog post...."


Yes, I had taken security precautions, and Blogger never actually allowed these junk messages to appear. Yet, it sent me daily email copies of each new message, giving me the option of manually moderating and permitting the message, if I so chose.

Friends offered suggestions. One said her solution is passive resignation, which wasn't good enough for me. Another author explained that she chose to moderate ALL comments, which an additional chore for her, and which slowed the posting of comments by readers.

But my kudos go to author Sarah Sundin for sharing a simple solution. Sarah said, "Blogger actually makes it easy. If they're targeting one particular post, edit that post and click on the box to not allow comments." I had forgotten that Blogger offers that option right on the page where you compose blog posts. Here's what it looks like:



Reader comments

I clicked the option to keep the previous comments but to block all further comments on my two targeted victims. Sure enough, no more spam.

If you have a blog and have been receiving spam, maybe this option will work for you, too. If the goblins have not noticed your blog yet, beware! You could need these solutions sooner than you think.

Perhaps you have additional insights on blog spam? If so, please share below. I promise not to block you!




Rick Barry has freelanced hundreds of articles and short stories, had two novels published, and has more projects in the pipeline.

Thursday, June 5, 2014

Could Publication Be Your Idol?

As a Christian author, I occasionally have to ask myself a question that I will now ask you: "Is getting published becoming your idol?"

Sure, the typical image of an idol is a solid object carved from stone, or clay, or even wood. It might be painted, and it might be adorned with gold or gemstones. In our mind's eye we picture uneducated pagans bowing down, making their petitions to this object. However, an idol isn't necessarily a solid object. An idol can literally be anything for which you live, or which gives your life meaning, or which would cause you serious depression if you could not have it. With that broader description, an idol could be almost anything. For instance, a certain type of physical body. The goal of being considered intelligent or helpful. Even success at getting published.

"But wait!" you object. "I want to get published for good reasons. My manuscripts glorify God. They contain important messages people need."

However, explanations make no difference. We can rationalize our "need" for any idol, including weight loss, education, productivity, and even getting published with with good, God-glorifying material.

I will not suggest for one second that all writers over-emphasize getting published and idolize that goal. I don't believe that at all. Yet, when I see the deep pools of depression that some sink into when they can't reach that goal--or can't re-acquire it after some initial success--I can't help but wonder whether they are elevating the goal to too-lofty a pedestal in their lives? Rejection slips serve to keep me humble and to remind me that--no matter how many manuscripts I've had published--I should never live for getting published.

Dear friend, getting published will not give your life meaning. It will not affirm your reason for existence. It will not grant you new respectability. It will not add a glistening halo above your head. It won't make you special in any way. So, if you knew right now that you would never be published (or never again), would you slump into depression? If so, perhaps this publishing goal has grown into an idol in your life. Perform a heart check. Better yet, ask God to examine your heart. If your goal of writing for God has grown even larger than your love for God Himself, that would be a vital lesson to learn!

May the Lord bless you!



Rick Barry has freelanced hundreds of articles and short stories, had two novels published, and has more projects in the works.

Thursday, May 1, 2014

You Can Write Short Stories (Part 3)

by Rick Barry



(If you're interested in writing and selling short fiction, I suggest you begin with my first post in this series:

http://rickbarry.blogspot.com/2014/03/you-can-write-short-stories.html.)

          Let's jump back into the exciting topic of writing short stories for publication. At this stage, you have some possible target publications in mind for your stories. You have studied them. Next, based on what you learned about the publications (magazines, journals, Sunday school papers, whatever), you have brainstormed some ideas that pump your creative juices.

Genre
          Even before typing your title into a blank document, you need to decide a few things. What genre is your story going to be? Horror? Humorous? Sci-fi? Fantasy? Western? Contemporary? You get the idea. Deciding this in advance will steer you in the creative process.


Recognize the target audience 
          Equally important is the question, "Who is my target audience?" Your short story, no matter how wonderful, cannot target everybody from pre-schoolers to senior citizens. True, some adults will read fiction geared for teens. Some junior high girls will read romances intended for adults. Still, the majority of your readers will fall into some particular segment of society. Decide up front who those people most likely will be. Your choice of publication should give guidance here.
          When I penned "Ronnie Right's Wrong Day," I targeted lower-elementary students and added humor appropriate to the age level. Clubhouse Jr. bought that piece. Could I have sold the same story to Saturday Evening Post? Not likely. The fiction I've seen in the Post aims at adult readers.
          Some years ago I volunteered to lead a critique session at a Write to Publish conference. When I asked who would like to read a few pages for us to discuss, one young lady shot her hand up.
          "Okay," I said, "but before you start, let us know who your target audience is."
          She went blank. "I have no idea who my target audience is."
          If you release an arrow without aiming at any particular target, you have an excellent chance of hitting nothing in particular. The same is true in writing. At least target one portion of society for readability and appropriate interest level. Then the editor can tell whether your work is likely to appeal to his typical readers.

Remember: this is not a novel
           A novel provides much greater opportunity for imbuing your creation with back story, with gradual character arcs that encompass an inner journey and an outer journey, detailed descriptions, etc. Short stories? Forget it. As I've stated before, short stories are the SWAT teams of literature. You jump into the situation, locate the problem, handle it, then pull back out. You're done. Short stories simply can't offer luxurious time and space to accomplish all that novels accomplish.
          A writing student once asked if he could examine a short-story manuscript I had just sold. I was happy to oblige. What he noticed is worth mentioning:
          "You didn't say anything about where these people were before the story started or how they got here. You just jumped into the action. It's almost as if this were one chapter pulled out of a whole novel."
          He was correct. With short stories, you can simply hop into the situation, present the key characters, and run with it. The implication is always that these people were alive and doing something before the reader happened along. However, you don't necessarily have to provide the history undergirding the story. In fact, you might not even need a full resolution to the problem, if you can pull it off.
          With short stories, your characters might not change as they do in a novel. I once sold a story called "Jacob's Cell." In it, teenage Jacob languishes in a dreary prison cell. His grandfather from Moscow had warned him about communists and the extent to which such cold-hearted people could hate and persecute those who sincerely love God. As the story unfolds, the reader assumes this is a historical tale that takes place in the old Soviet Union. At the end, though, Jacob rallies his strength to look out the window, and in the distance he sees a pale-green statue of a woman lifting a torch to the sky. Does Jacob change or grow in my short story? Not much. The real change I aimed for happens in the reader who suddenly realizes it's a futuristic story about the United States, not historical Russia.

Your turn! I've shared a lot of tips concerning short stories. Now I hope at least some of you will give them a try.

To be continued...




Rick Barry has freelanced hundreds of articles and short stories, had two novels published, and has more projects in the works.

Thursday, April 3, 2014

You Can Write Short Stories (Part 2)

by Rick Barry

Last month I introduced my topic of writing short stories for publication. If you're arriving late to the party and didn't see that post, you might want to start here: http://hoosierink.blogspot.com/2014/03/you-can-write-short-stories-part-1.html.

          Jumping back into our topic, let's assume you've decided to give short stories a try. I will further assume that you now understand the futility of concocting a story that fits no publication's particular guidelines and then releasing a shotgun blast of submissions in hopes of hitting an editor who likes your creation. No, you've done some homework. You have pinpointed several publications for which you would like to write, you've read their guidelines for submissions, and you've read enough past issues to gain a feel for the material these editors like to buy. What's next?

Ideas, Ideas, Ideas
          "Where do you get your ideas?" is the #1 question people ask me about writing. My answer? "Everywhere." Ideas surround us all the time. They flow through your mind disguised as the evening news. They sometimes hide, tucked away in your childhood memories. Sometimes they sit across from you at the airport. Allow me to share a few ideas I reached out and grabbed, then molded into short stories that reaped contracts.

Sci-fi
          One time I sat in my parked car, eating a Subway 12-incher and listening to the news on the radio. The announcer mentioned that China had announced interest in establishing a permanent base on the moon. The news item was brief, but it started me thinking. What if China really did build a moon base? Better yet, what if both the U.S. and China built moon bases, and it was possible to travel from one to the other across the lunar surface? From those humble beginnings I developed an 1800-word story I titled "Stranded." In it, a young technician from the American moon base is requested to take a moon buggy to the Chinese station to lend a hand with a computer glitch. Jettisoning protocol, my impetuous hero sets out alone. On impulse he starts hot-dogging and performing jumps over craters in the buggy, which he crashes. There he is, halfway between the two bases, with no wheels, a broken radio, and his oxygen running out... For that story, I received $400.

Contemporary YA
          Another occasion, I was in San Francisco to attend a conference. In my spare time I hopped a bus across town to visit the Pacific shoreline. On the way back, the bus ambled along Haight Street, where there was a wide selection of colorful characters to watch. As passengers got on and off, I began to think of story ideas. What if a teen guy boarded the bus and tried to impress the gorgeous girl sitting nearby with sunglasses? What if, after many attempts to get her attention, he finally started a conversation with her? The final result was an 1,800-word piece called "The Girl with Great Eyes." The twist came at the end. When the girl in the shades rose to get off the bus, she unfolded a white cane used only by the blind and tapped her way to the exit.

Non-fiction
          I mined my personal life to write a story for a non-fiction magazine based on people's reminisces of the past. In this case, the story was 100% true. I described an event from my childhood when I decided to help my mother with the laundry. In those days, our family still used a wringer-washer. When I shoved a handful of soggy shirt into the wringer, the rollers grabbed my fingers and proceeded to pull me into it! "The Washing Machine Tried to Eat Me" sold, and so, many decades later, I finally received some cash recompense for the scar on my left palm.

          Three different stories. Three different types of inspiration. The tricky part is developing a knack for weighing the essence of an idea in your mind. Is it interesting enough that strangers would read the whole thing? Is it unique enough to rise above the ocean of submissions from other writers? Is it fresh enough to make an editor offer a contract for permission to print it?
          Not all of my submissions have been winners. Especially in the early days of writing, I've penned my share of clunkers that didn't sell. In a sense, learning how to write short stories is a little like learning how to pan for gold. The newbie might search in the wrong places. Very likely, he'll get excited and waste time with literary "fool's gold," which isn't good enough to sell.  But if he or she has the patience and the basic gift for wordsmithing, experience will yield to sales.

To be continued...



Rick Barry has freelanced hundreds of articles and short stories, had two novels published, and has more projects in the pipeline.          

Thursday, March 6, 2014

You Can Write Short Stories (Part 1)

By Rick Barry

          Although I realize many readers of this blog are novelists (and so far I have two novels published), I'd like to suggest that you try your hand at a different genre--short stories. Before you crinkle your nose, let me hurry to say I have earned thousands of dollars by writing short stories. If you're skillful in word crafting and own a well-oiled imagination, you can capitalize on this genre too. Ready to learn more?

Defining the terms
          Recently I mentioned to a friend that I had received $350 for a new short story. He was impressed, but then asked, "So how long is a short story?" In this particular case the story was 1,800 words, which came to about nine doubled-spaced pages.
          His reaction? "What? I thought short stories were more like 20,000 words!"
          Different publishers and contests have varying notions on word count, but as a general rule in this article I'm going to make the following distinctions:
  • Flash fiction: up to 1,000 words
  • Short, short story: 1,001 - 4,000 words
  • Long short story: 4,001-8,000 words
  • Novelette: 8,001-17,500 words
          The majority of the short stories I personally have sold fall in a range of 1,000 - 2,000 words. On assignment, I have also written a number of children's stories with a tight word count of about 600. It can be done, but I personally find that restricting. You barely lift the airplane off the runway, and then it's time to land it again.

Who reads short stories?
          I have sold adult fiction, YA stories, middle-grade stories, and even a couple pieces to a magazine for kids ages 3-7. (This last category is a challenge for me, since I no longer have kids in that age range. I tend to forget how to target that age level.)
          For some years, short stories seemed to have fallen somewhat out of vogue, but they never died out completely. Human beings seem to have a natural affinity for a well-told tale. Many of those who are too busy to read a novel will still pick up a Sunday school handout or a magazine and enjoy a miniature escape from reality with the aid of a short story.

How to get started
          The one thing you do not want to do is say, "Wow, there's money in short fiction!" and then go home and conjure up a story without any publisher guidelines in mind. On occasion, new writers have contacted me and said, "I've written a story about ____________ . Can you help me to find a publisher who might like to buy that kind of story?" The fact is, no I can't. I honestly don't have time to do that type of research for someone else's project. The writer who makes such a request of another writer puts that person in an awkward spot. It's not thoughtful.
          To state the case more strongly, if you're going to write a short story, the smart approach is to research possible publications in advance. If you don't, it doesn't matter how good the story is, you might be shooting yourself in the foot by writing it with no particular publication in mind.
          What if your story is 1,300 words and is fantastic--but the publisher's guidelines specify, "No fewer than 2,000 words"? No sale.
          What if you craft an exciting 1,800-word piece about a teen girl lost in the mountains of Colorado, but then send it to a magazine that accepts stories only about boys? No sale.
          Maybe you have a truly creative idea for a story about a bird that watched from the rafters of the stable the night Jesus was born. But if you write it and submit the story to a magazine whose guidelines stipulate, "No animal points of view," the result will be a another rejection.
           Saturday Evening Post, Boys Life, Clubhouse.... Each of these buys fiction, but each of them wants different kinds of fiction.
          So my advice is that Step #1 should always be to research possible target publications. If a publisher accepts freelance work (some are 100% staff written), it will offer Writers' Guidelines, usually on the website. Then read samples of the publications that seem to fit you. Get a feel for the types of stories they print. Only after you have picked a target publication, studied their guidelines, and gained a feel for the styles of stories they accept will you be ready to sit down and begin writing.

To be continued...



Rick Barry has freelanced hundreds of articles and short stories, had two novels published, and has more projects in the pipeline.