"Hoosier Ink" Blog

Tuesday, May 19, 2020

The Man in the Arena


President Theodore Roosevelt was a man who pressed on in spite of his critics. He was as controversial for his times as Lincoln was earlier in the nineteenth century and as our President is today. He was a soldier, an adventurer, a policeman, and much more. He was brash, bold, and biased.

If he were active in politics today, I would oppose many of the policies he fought for. And if I voiced my criticisms of him, he wouldn’t care.

How do you deal with the critics in your life?

 

Not only those who review your writing. Think back over a lifetime, and the various critics you’ve come across. Individuals in your church. In your extended family. Your boss. Fellow employees. Your professors in college. That know-it-all in fifth grade. Your siblings. Your parents.

Yourself.

We each have different coping mechanisms in response to criticism. Some of us can cheer ourselves on if we’re personally discouraged, but we’ll fold at the first hint of dissent from someone whose opinion matters to us. Others of us can confront our outside critics, but will toss any flawed efforts into a figurative trash can if we can’t meet our own high standards. And then there are those who cave at any negative comment by anyone.

Regardless of the category that fits you best, if you quit an endeavor because someone, yourself included, pointed out the imperfections, you lose.

I love the following quote from Roosevelt. Generations who have followed him title this passage, “The Man in the Arena.:

                "It is not the critic who counts; not the man who points out how the strong man stumbles or where the doer of deeds could have done them better.

                 "The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again because there is no effort without error and shortcoming;
                
                "But who does actually strive to do the deeds; who knows great enthusiasms, the great devotions, who spends himself in a worthy cause,

                "Who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat."

 
I don’t want to be one of those “cold and timid souls.” The fact that you’re a member of ACFW tells me you share the same feelings.

We write because God put it on our hearts to do so. And if God put it on our hearts, then it's worth the struggle of sharing that message, of learning this craft of writing, of practicing to get better, and of opening ourselves to the vulnerable position of the public’s opinion—agents, editors, critique partners, reviewers—with heads held high.

Maybe you have a bestseller. Maybe no publisher ever wanted your work. But you haven’t quit. Win or lose, you stand in the arena.


Linda Sammaritan writes realistic fiction, mostly for kids ages ten to fourteen. She is currently working on a middle grade trilogy, World Without Sound, based on her own experiences growing up with a deaf sister.
Linda had always figured she’d teach middle-graders until school authorities presented her with a retirement wheelchair at the overripe age of eighty-five. However, God changed those plans when He gave her a growing passion for writing fiction. In May of 2016, she blew goodbye kisses to her students and dedicated her work hours to learning the craft.
A wife, mother of three, grandmother to seven, Linda regales the youngest grandchildren with “Nona Stories,” tales of her childhood. Maybe one day those stories will be in picture books!
Where Linda can be found on the web:




Saturday, May 2, 2020

The Museum of Good Intentions


During our courtship, Maribeth and I spent hours talking about what the future might hold. We still aspired to do meaningful things for the Lord, though we were both in our sixties and had retired from full-time ministry. What might we do together? How could we make the most of the days God might apportion to us? These questions opened some rather creative visions to us.

In the midst of those conversations, Maribeth asked why I had not undertaken a writing project that I had been mulling for several years. I laughed and said, “Honey, I’ve relegated that to the museum of good intentions.”

You know the place. You’ve often visited it, I’m sure, and ensconced some lovely mementos there. Unfinished portraits, rough-hewn statues. Perhaps you dust them from time to time, but you have no serious intention of bringing them out of those polished marble halls to complete the work of your imagination.

Maribeth keeps me mindful of it. When I muse aloud about some project left undone and get that faraway look in my eyes, she will fix me with those penetrating eyes and say, “Is that in the museum, too?”

These weeks of isolation at home would be a good time to walk through your own museum. What treasures languish there? Why not trundle them out the door and see how they look in broad daylight?


Joe Allison writes both fiction and nonfiction, and has been a member of the Indiana chapter of American Christian Fiction Writers since 2010. He lives in Anderson, IN, with his wife Maribeth and daughter Heather.



Tuesday, April 21, 2020

How To Be A Holy Writer: Faith + Love = Holiness

HOLY: Set apart for God
WRITER: A person who writes

To Be Holy:

I must center my whole life around God, around His Son, around the Holy Spirit.

Life is not about me. Not about my issues, my desires, my possessions or lack of them. What I write does not focus on me. Stories, articles, blogs, and journals--all point to our Creator and King, our Savior, our Comforter, our Lord.

How can I do this? What must I learn?

I must ask God to grant me a deep hunger and thirst for Him.

I must practice spiritual disciplines.

Not all at once, of course! If I'm not to be overwhelmed, I can only work on one discipline at a time.
Just as I must persist in the practice of certain skills for physical health--a nutritious diet and daily exercise, spiritual health requires persistent practice of a parallel set of skills--prayer, Bible study, and fellowship with others of faith.

I need close friendships with mature Christians. As a writer, I need to seek mentors who are wise, Christian authors. Their experience helps me. Meanwhile, my starry-eyed view of writing refreshes them, even as they shake their heads and say, "You have a lot to learn!"

I must wait. Rest in God. Surrender. Let Him work on me. If I exhaust myself by trying too hard in my own puny strength, I'm like a hamster on a wheel. Faster, faster, faster--and I've gotten nowhere.

I must do the work of the kingdom. Faithful. Serve wherever He shows me a place to serve. 

Faith + Love in action = Holiness.

In these days of the national shutdown, Americans are finding new opportunities to share their faith. But we don't need a crisis to spur us  to love in action.

Maybe God will use my writing skills to send an encouraging note to someone who needs a lift. Maybe I'll walk away from the computer and cook a meal or weed a garden for my neighbor. Maybe love in action is invisible like holding up a friend in prayer. As I practice spiritual disciplines and obedience to the Holy Spirit, I am better able to hear Him. And obey.

There's More.

I've shared my reflections as a writer trying to live a holy life, but I want the heroes and heroines in my books to live holy lives, too. For every story I write, before I submit it to my agent or a publisher, I check: Do my main characters grow in the Spirit somehow, some way? When they grow in  faith and demonstrate love in action, they will inspire my readers to do the same. Amen.


Linda Sammaritan writes realistic fiction, mostly for kids ages ten to fourteen. She is currently working on a middle grade trilogy, World Without Sound, based on her own experiences growing up with a deaf sister.
Linda had always figured she’d teach middle-graders until school authorities presented her with a retirement wheelchair at the overripe age of eighty-five. However, God changed those plans when He gave her a growing passion for writing fiction. In May of 2016, she blew goodbye kisses to her students and dedicated her work hours to learning the craft.
A wife, mother of three, grandmother to seven, Linda regales the youngest grandchildren with “Nona Stories,” tales of her childhood. Maybe one day those stories will be in picture books!
Where Linda can be found on the web:





 

Saturday, April 4, 2020

Barbara Brown Taylor on the Essentials


When Barbara Brown Taylor spoke at the Wild Goose Arts Festival in North Carolina last July, she identified several essential ingredients of the writing life. Although she is a best-selling writer of Christian nonfiction, I believe her recommendations apply even more to writers of Christian fiction. You’ll find a video of her presentation on YouTube under the title, “Best Practices for New Writers,” but here’s the gist of it. Taylor says every writer needs these things to write most effectively:

A Habit. “For me, a habit means first of all an established place for writing so that when I walk through the door, I start salivating,” she said. It usually means you have a particular time for writing, though some of us can write anytime in odd snatches of time, which means we need to be ready to take advantages of those “found” moments. Your writing habit also involves a medium that you find easiest and most familiar for writing, whether it be a notepad, a computer, or something else. It involves a focus on what you need to write in your daily writing experience—a certain number of words, for example.

A Community. This is an accountability partner (or a small group of partners) who meets with you online or face-to-face to discuss the work you’re doing, give you honest feedback, and share what they write today as well. These are seldom open groups because you need confidentiality to share honest critiques of one another’s work. A Sufi woman is part of Taylor’s accountability community, and she will often question Christian clichés that appear in her work. Her husband is another. He is brutally honest about what Taylor writes on a particular day, and might say, “That’s interesting, but not compelling.”

An Audience. Visualize the person you’re writing for. How do they react as they read what you’ve written today? Taylor says, “For a long time, I wrote for people initiated into Christian language and liturgical life. When I started writing a book titled, Leaving Church, I had a different audience in mind: non-church people or churched people who were frightened to enter churches for various reasons. I started changing my language with that book. So your audience changes, but having a clear focus on the type of people you want to read your book helps to assure that you will.”

A Wound. “Part of my practice is knowing what I’m struggling with,” Taylor says. “What problems come up in my life often enough that I could be in community with other people about them? Someone with a spiritual wound asks questions like, ‘Where is God? Does God play favorites?’ and so on. A shared wound keeps me engaged in a book, and I hope it will keep my reader engaged as well.”

A Voice. This is a very particular choice for the writer.  “What is my point of view going to be?” Taylor asks. “Scholarly? Intimate? Inspirational?” How she positions herself depends largely on what audience she’s writing for. For example, one critic says that the poet Mary Oliver writes primarily from her scars and not from her raw wounds, which affects her style as well as her point of view. What level of education does your audience have? At what stage of life do they find themselves? All of these questions determine the voice you will choose for your work in progress.

A Lineage. Every time she sits down to write, Taylor calls to mind other writers who made her want to become a writer. “I call them the Council of Elders,” she says. “Who made me want to write, and continues to make me want to write well?”

A Guiding Spirit. Secular writers might call this their Muse, but we call it the Holy Spirit. “I believe it’s always important to invite the Holy Spirit into my writing,” Taylor says. This may take the form of a simple prayer: “Help me!” Or it may be a fairly detailed conversation that confesses the writer's need of the Spirit for each day's work. However a writer expresses it, she depends upon a Power beyond her own abilities. Elizabeth Gilbert sometimes says to the Spirit, “If I’m not writing well today, that’s not entirely my fault. I showed up. Now get in here and help me.” Taylor says she expects the Spirit to inspire her work and, when she encounters a block, she believes the Spirit may be warning her that she’s headed in the wrong direction.


Joe Allison writes both fiction and nonfiction, and has been a member of the Indiana chapter of American Christian Fiction Writers since 2010. He lives in Anderson, IN, with his wife Maribeth and daughter Heather.