Desert Jewels was easy to research. Not only was I able to
interview one couple who had been in the camps when they were about my
protagonist’s age, but there were a myriad of memoirs written by people who took
the same path. That’s because the events occurred in a short time frame and
many of the people who took that path were students or professors at the University
of California at Berkeley—including writers and artists who recorded their
experiences.
Researching my second
middle-grade historical was much harder. As mentioned in my last post, Creating Esther is about an Ojibwe girl
who goes to an Indian boarding school at the end of the 19th Century.
There are plenty of memoirs about the Native American boarding school
experience, but few come from the right perspective. Most took place several
decades later, when the students knew what to expect. Others came from the male
perspective or that of a white teacher.
The three most helpful memoirs
are (1) three essays by Zitkala-Sa (Gertrude Bonnin), which can be found in her
American Indian Stories; (2) No Turning Back: A Hopi Woman’s Struggle to
Live in Two Worlds by Polingaysi Qoyawayma (Elizabeth Q. White); and (3) Red World and White: Memories of a Chippewa Boyhood by John Rogers
(Chief Snow Cloud). The Zitkala-Sa essays tell about her experiences as a
Native American student and teacher shortly before the time of my story, but
they are short on details. No Turning
Back begins at about the right time and provides a few more details, but it
spans a number of years and is written by a woman from a different tribe than
my protagonist. Red World and White provides
a more detailed look at Ojibwe (Chippewa) reservation life around the right
time but gives little information about the male author’s boarding school
experience.
I also read a number of
academic books about the Native American boarding school experience or the
Ojibwe tribe. Putting all this information together with what I learned from
location research, I believe I have portrayed an accurate picture for my
readers. But it wasn’t easy.
Picking the right pieces was
hard, but cultural respect requires it.
Next month I’ll talk about the
location research that helped me understand the broader picture.
__________
The photo at the head of this
post shows one of the abandoned buildings from the Mount Pleasant Indian
Industrial Boarding School. I took the picture on my research trip last year.
And before you ask, I wasn’t intentionally trying to make it look old. Somehow
I set my camera to grayscale and didn’t notice it until later.
__________
Kathryn Page Camp is a licensed
attorney and full-time writer. Writers in
Wonderland: Keeping Your Words Legal was a Kirkus’ Indie Books of the Month Selection for April 2014. The
second edition of Kathryn’s first book, In
God We Trust: How the Supreme Court’s First Amendment Decisions Affect
Organized Religion, was released
on September 30, 2015. Desert Jewels is
searching for a home, and Creating Esther
has just begun circulating to publishers.
You can learn more about Kathryn at www.kathrynpagecamp.com.
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