"Hoosier Ink" Blog

Showing posts with label critique partners. Show all posts
Showing posts with label critique partners. Show all posts

Tuesday, February 1, 2022

Well Matched

Creative people often partner to do their best work. One reason Maribeth and I felt God leading us toward marriage was to facilitate our writing together, and that has proven true. We’re well-matched in the work we do together.

We have a two-day prayer retreat at Brown County State Park every January. There our year begins by praying, both separately and together, and discussing ideas for the future. We’ve learned that the fireplace at Abe Martin Inn is a delightful place to reflect and talk, and the thin off-season crowd doesn’t distract us.

Maribeth and I are attentive observers, but we observe different things as we travel. Our mealtime conversations often begin with, “Did you notice…?”

We married late in life, so we bring a lifetime of separate experiences to our writing. However, we lived through the same period of American history, so when one of us starts humming a 1950s ad slogan, the other begins singing the words.

We grew up in different denominations, so we have separate perspectives on theology. We both graduated from seminary. One of us earned a master’s degree and the other a doctorate (guess which one).

These differences and similarities play into our writing. Before I write a short story, I’ll make a list of a half-dozen or so ideas, then ask Maribeth which one she would most like to read. Before we prepare a series of sermons, each of us will make a list of Scripture texts and topics, then discuss their relative merits in light of the congregation’s needs.

Sometimes we divide responsibilities for the writing itself. Perhaps each of us will take a section of the outline. Each of us may write an illustration for the piece. Or one of us may write the opening while the other writes the close. Most often, though, one partner writes the piece in its entirety.

Then comes the heavy lifting. The writer asks the partner to read and critique the first draft. Editing begins. We discuss the edits—it’s usually quite a spirited discussion!—and more editing follows. Only when we’re both satisfied have we reached the final version.

Who’s your writing partner? Perhaps you assume that writing must be a solitary pursuit, but your spouse, another ACFW member, or an online friend may become a valued creative companion. This kind of relationship often begins with a critique partner, someone familiar with your genre whose judgment you respect. A research partner could also improve the quality and speed of your work. 

I liken it to playing tennis. If you have a partner whose skills and experience are well matched to your own, you'll win more often than you could playing alone.

Joe Allison writes both fiction and nonfiction, and has been a member of the Indiana chapter of American Christian Fiction Writers since 2010. His most recent book is Hard Times (Warner Press: 2019). He lives in Anderson, IN, with his wife Maribeth.


 


 

 

Tuesday, October 19, 2021

One-on-One Accountability

You’re a writer. You need to invest in yourself. We’ve been through details of self-identification and committing time and money to the craft over the past couple of months.

Now, we need to talk about holding yourself accountable to someone else. This overlaps somewhat with critique groups and with monetary expenditures, whether they be paying for a conference or a course.

You have several options in accountability to others.

1.  You can find an official accountability partner

This could be another writer, a friend, a spouse, or a family member. Unlike a critique partner where you send work as it happens to be ready for a review, your accountability partner is expecting work on an assigned basis. The two of you agree ahead of time what you will send and when. It’s your job to make sure you keep your word. Very helpful for getting words on the page, reminding you once again you ARE a writer! You can also connect daily via phone, text, or email just to report in on what got done that day.

2.  Similar to an accountability partner, simply add an accountability component to your critique group. 

Currently, I participate in three critique groups. Here’s how each of them work, but only one is also an accountability group.

            A. My weekly group chooses two writers to send in their work for critique. So, only two of eight people are accountable for their writing that week. The rest are accountable to read and critique the two submissions.

            B. My monthly group will critique any work that happens to be sent in. There’s no accountability other than to read and critique what’s submitted. This is my least favorite format because some evenings we have one item to evaluate; other evenings there have been as many as eight. That’s a lot of in-a-hurry critiquing! And it makes for a long meeting.

            C. The third group has a scheduled rotation, so two submit for one meeting, the third person submits to the next, then back to the first two, and so on. This format works as both a critique group and an accountability group. I like it. I finished my third book because I was forced to submit new chapters every two weeks.

Don’t feel like you have to participate in three groups! In my case, A, B, and C were formed in chronological order (A being the oldest), and once I made writer friends in one group, I didn’t want to drop them for friends in Group B only to move on to Group C. My (overzealous) sense of loyalty won’t allow me to burn my bridges, not even for the advantage of fewer time commitments.

3.  Schedule time to work with a writing partner

That doesn’t mean you’re both working on the same project. It just means you’re working side by side at the local coffee shop, or you’re screen-box-visible to each other on a Zoom meeting.

I discovered Shut Up and Write just before the pandemic hit. A small group met at Starbucks. We chatted for five minutes getting to know each other’s names and what we wrote, and then it was time to live up to the name of our meeting. We wrote in silence. At the end of an hour, some individuals left. Others took a break and talked writer stuff for ten more minutes before getting back to work for an additional hour. Once the shutdown was instituted and restaurants closed, we kept our meetings going online. Now, we do both—if we have the time. And since I’m retired from full time work, I do have time. Saturday mornings in person, Wednesday nights on Zoom.

When I write at home, all kinds of things can derail me. Dirty dishes in the sink. Switch the clothes from the washer to the dryer. Oh, look! A baby elephant video on Facebook! By deciding to meet at a certain time to write, your accountability partner(s) are aware if you’re no longer tapping away on your keyboard. (Okay, I confess I sometimes turn off the camera and mic for a few minutes in order to complete an after-dinner chore …).

Other Possibilities.

Many of the ideas I’ve shared with you all year have come from Jessica Conoley’s article, “Building Your Writing Support Triangle.” At the end of the post, she talks about the co-working sessions she runs and offers to help any readers who want to try those out. If you’re interested, check out the article.

Meanwhile, Nanowrimo (National Novel Writing Month) will be here in thirteen days. That’s an opportunity for worldwide accountability partners! You’re committing to an average of 1667 words per day, which amounts to a 50,000-word novel before midnight on November 30!

If you’re interested in trying your hand at that, visit their website and sign up. You’ll receive lots of pep talks, you’re welcome to join various threads of discussion to cheer each other on, and you may find at the end of the month you’re well on your way to finishing your next book!

If you’re an author, isn’t that what accountability is all about?

 

Linda Sammaritan writes realistic fiction, mostly for kids ages ten to fourteen. She is currently working on a middle grade trilogy, World Without Sound, based on her own experiences growing up with a deaf sister.

Linda had always figured she’d teach middle-graders until school authorities presented her with a retirement wheelchair at the overripe age of eighty-five. However, God changed those plans when He gave her a growing passion for writing fiction. In May of 2016, she blew goodbye kisses to her students and dedicated her work hours to learning the craft.

A wife, mother of three, and grandmother to eight, Linda regales the youngest grandchildren with “Nona Stories,” tales of her childhood. Maybe one day those stories will be in picture books!

Where Linda can be found on the web: 

www.lindasammaritan.com

                                                         www.facebook.com/lindasammaritan

                                                         www.twitter.com/LindaSammaritan

 

 

 

Tuesday, June 15, 2021

Journey With a Critique Partner

 

Last month I shared how critique groups allow for more eyes on your work. This month, let’s go a little deeper.

 

Find a Critique Partner

 

He may be one member of your critique group or someone different, but the person should be aware, as a writer, what a manuscript needs. A friend who loves to read is rarely a good critique partner. That person needs to be your beta reader. (Stay tuned for next month.)

A critique partner is willing to read the same chapter over and over, and as her critique partner, you’re willing to do the same when she submits and resubmits and resubmits again.

 

Together, You Will:

 

1. perfect the prose.

Just when you think you’ve finally got it right, your partner will see “it” differently. “Yes you’ve improved the word picture—I can see it all much better—but the sentence structure is awkward.” Keep working.

You both gain an education in grammar and editing on this journey. From macro-editing the big picture to micro-editing.

  • Line edits.
  • Copy edits.
  • Proofreading.
  • Is the voice consistent? 
  • How are you doing with sensory details? 
  • Are your main character’s goals clear to the reader?
  • Do you remind the reader of those goals?
  • Have you formatted the document correctly?
  • Do you have a sagging middle? (The manuscript, not you!)
 The questions seem endless.

Critique partners don’t need to be experts in these skills, but the more they know and learn, the more valuable they will be.

 

2. encourage each other.

Especially when one of you is ready to toss the whole book into File Thirteen.

So, you received a rejection. A harsh review from a reader.

Who knows best how to cheer you up? Your spouse who thinks writing is a wonderful hobby for you? Your coworkers at your day job? Your critique group?

Or your critique partner who knows that rejected piece almost as well as you do?

 

Ask your partner, “What am I doing right?” She’ll give you an honest and uplifting answer.

And become her cheerleader, too. Praise her for what she does most effectively in her writing.

 

A Partnership Is a Relationship.

 

When we weave our words into glorious tales of  love and adventure, the most excellent stories involve strong relationships among the characters. Strong relationships anchor life, too. As we write, our plots and themes are pulled from life’s experiences with friends and family. With a critique partner, our best work comes to fruition because we forge strong bonds with another author. And we journey through the book together.

 

Linda Sammaritan writes realistic fiction, mostly for kids ages ten to fourteen. She is currently working on a middle grade trilogy, World Without Sound, based on her own experiences growing up with a deaf sister.

Linda had always figured she’d teach middle-graders until school authorities presented her with a retirement wheelchair at the overripe age of eighty-five. However, God changed those plans when He gave her a growing passion for writing fiction. In May of 2016, she blew goodbye kisses to her students and dedicated her work hours to learning the craft.

A wife, mother of three, grandmother to eight, Linda regales the youngest grandchildren with “Nona Stories,” tales of her childhood. Maybe one day those stories will be in picture books!

Where Linda can be found on the web:

www.lindasammaritan.com

www.facebook.com/lindasammaritan

www.twitter.com/LindaSammaritan