Occasionally novelists whose work I'm editing seem to
feel they should be apologetic when I catch a mistake they missed: a time line a bit off, a character
name switch, the fact that it is snowing in August. Okay, that last one has never
happened, but sometimes characters don’t seem to own coats in January in the
Midwest, and that’s the exact same thing, isn’t it?
This makes me feel a little bit as though they think the editing waters could be shark-infested, and I could be one of the poised-to-strike sharks when I see a little blood, even though I am pretty sure I have never been shark-like at all.
But you know what? I get it. I don’t like to make mistakes, and I especially hate for anybody to see them, lest I be judged. Maybe it's also the perfectionist firstborn thing. I doubt all novelists are firstborns, but they are writers who want to get it right.
So I’m composing a little letter to all the novelists who have ever cringed because their editors found—or might find—errors.
But you know what? I get it. I don’t like to make mistakes, and I especially hate for anybody to see them, lest I be judged. Maybe it's also the perfectionist firstborn thing. I doubt all novelists are firstborns, but they are writers who want to get it right.
So I’m composing a little letter to all the novelists who have ever cringed because their editors found—or might find—errors.
Dear
Author,
Here
are five reasons you should not feel bad when your editors catch mistakes:
1. You make errors—even with all your self-editing—because you are human. If
you weren’t, you would be no fun to work with. Nope, no fun at all. We rather like the "treasure" hunt, even though only we would think of mistakes as some sort of the-glass-is-not-yet-full positive.
2. Mistakes don’t water down your story and message for editors. Those precious diamonds, even if they are still a little rough, shine through.
3. Every time you rewrite, every time you make a change, an error can be introduced and missed. But so what? You work
hard to improve your story for the sake of your readers’ experience. That’s a
good and admirable thing. You don’t just phone it in with a first draft.
4. Mistakes found in editing are no indicator of
future sales. Really, they’re not. Really.
5. The best editors can make mistakes, too, even while
working to spot and help fix yours. (See point 1 about humanness, and do not make me tell you about my own errors.)
There. If you have ever been afraid to be edited—or you dread
it every time—now you know. The editing waters are safe. No sharks allowed.
Come on in!
Come on in!
After twenty-four
years with publishing house Zondervan in Grand Rapids, Michigan, most recently
as an executive managing editor, Jean Bloom returned to Central Indiana
to be near family and take her freelance editorial business full-time (Bloom in Words Editorial Services).
Her personal blog is Bloom in Words too, where she often posts articles about the writing
life. She and her husband, Cal, have three children and five grandchildren.
Image Credit: http://www.publicdomainpictures.net/view-image.php?image=82824&picture=shark-replica-3
Having others catch our gaffes can feel embarrassing. But it's oh so better to have the editors catch them before publication than for readers to spot them after publication!
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