Friday, March 9, 2012
Writing AND Speaking
Recently, I've been focusing on my speaking for this year. I rarely seek speaking engagements, but fortunately, they find me. As much as I enjoy writing, I enjoy even more sharing with an interested audience the topics God has led me to in my writing. And a plus for me (and I pray for my readers, too), after I speak is when I sell lots of books.
At the beginning of each new year, I pray about my speaking focus for the year. Of course, it's natural for me to speak about the topics of my novels, especially the overseas settings: China or Taiwan or Sweden or the Holy Land. But I don't want my sharing just to inform and entertain. I also want to inspire, especially spiritually. So that's the focus I pray about.
This year my focus is STORY. But not just my story! Using a few examples from my books, this year I'm challenging my audiences to record and share often with their family and others at least ONE important story (memoir) from their own lives. At two speaking events this past week, I was surprised that only two individuals had already done so. On the other hand, everyone liked the idea of doing ONE story. That's so manageable!
I'm not positive, but I think I sold more books than usual this week. Maybe because I involved my audiences to a higher degree? (Or maybe because both audiences were repeats and eager for my Hungry River sequel, Dragon Wall?)
I would appreciate hearing about your speaking focuses, especially those you feel are God-inspired. And I'm sure the readers of this blog would, too. So how about taking a moment to "speak" to us via a comment?
Writing AND speaking blessings,
Millie Samuelson
Yesterday's Stories for Today's Inspiration
Friday, July 22, 2011
Things That Made Me A Better Writer
Amazon review writing
Editorial letter writing
Songwriting
Toastmasters
Have you made your selection? Okay, let me eliminate the options one by one.
Of course, Amazon review writing is not the exception. Writing honest reviews first encourages me to read. Then, it motivates me to interact. I'm also being trained to see what works and what doesn't so I can apply the lessons learned. For those interested, I've written 452 reviews at this moment.
Likewise, editorial letter writing is another way to strengthen one's writing. It forces you to get to the point quickly. Additionally, being creative in how you express yourself increases your chances of being published. I've been multi-published in both the Nashville Tennessean and the Indianapolis Star. In fact, I got paid for having a letter selected by the Tennessean for being the three star letter of the day. A check for $4 and a nice fancy dinner.
That leaves songwriting and Toastmasters. Obviously, songwriting is writing. Toastmasters on the other hand focuses on oral communication and leadership skills. So if you selected Toastmasters as being the one that does not belong, you are incorrect.
I will concede that songwriting has not hurt. Writing lyrics is writing poetry and writing poetry helps you write stronger prose. Also, I've learned that to succeed as a professional Christian songwriter (one who writes songs as a living rather than one who sings those songs), the rules for marketability are the same. However, from that point on, they are two different animals. I have written a few hundred songs, none published and most of them forgotten.
How does Toastmasters help my writing? There is more in common between written and oral communication than you would guess. On one hand, the most effective prepared speeches have been well written. On the other hand, the most effective writing has a voice that sounds like someone is speaking it.
A Toastmasters meeting has three parts to it, all of which relate to writing. First, there's the prepared speeches. Some of the projects, especially in the advanced manual, can help with your writing. For example, there are manuals on Interpretive Reading and Storytelling. Also, one speech in the Speeches By Management manual instructs you to write out your speech in a way that it sounds like a spoken speech rather than a written. I did that project once and had that manual lost before I received credit for it, so I did that same project a second time.
The second part is impromptu speaking, termed Tabletopics. The Topicsmaster of the meeting asks the other members questions, and with no prep the member answers with a 1-2 minute speech. This helps you think on your feet, a skill that helps with creative writing. Additionally, this helps with interviews/elevator speeches which the author might have to give.
The third section is evaluations. Though not called critiques, a good critique is not unlike a good Toastmaster evaluation. The evaluator points out what the speaker has done well, and also gives them areas they can improve on.
I have earned my Distinguished Toastmaster Award in 2008, the highest achievement possible with the organization (though some have multiple DTMs). But my benefit has not come only from my active participation in giving speeches and evaluating my peers. It also has come from listening to speeches. You will notice different voices, which aids in writing dialog.
Naturally, you also have a wide variety of speeches. I've observed persuasive, informative, interpretive, and humorous speeches. I've heard speeches on creating corn-starch, the differences between the three types of whiskey, the importance of getting sleep, fair-trade shopping, the Underground Railroad, and the brown recluse spider.
I would without hesitation encourage any writer to write Amazon reviews and editorial letters. How about Toastmasters? I would given the conditions the writer has the resources and time to invest. The cost is affordable; it is comparable to being a member of the ACFW and the Indiana Chapter. I would advise setting aside two hours at least per meeting and more if you're giving a speech (the meeting frequency varies per club). Those two things might be a roadblock, causing the Toastmaster club to be an obstacle to writing rather than an aid. It depends on the person.
Of course, I'm talking about my experience. You may disagree with my choices. Maybe you have found songwriting to be a more profitable exercise than I consider it for novel writing. Maybe your recommended activities for writing include scuba diving, ballet, and moving furniture. That's the thing about writing – no two writers are the same. (Sometimes, no one writer is the same person, but let's leave that for trained psychologists.)
Tuesday, June 21, 2011
Speaking of Speaking. ...
Some writers become writers because they love words and don't like people. Others like people, but their fellow Homo sapiens make them nervous. Suggest that as authors, they should cultivate public speaking, and they take the first space shuttle to Neptune.
Do you fall into this category? Unfortunately, you may not find many markets for your fiction on Neptune. If you prefer this super-low profile, fine. If not, perhaps a few pointers will help send you rocketing back to communicate with earthlings who might buy your books.
First, find an opportunity to speak. This does not have to involve television cameras. Groups abound--knitting klatches, third-grade Bible school classes, NASCAR fan clubs--as well as reading and library groups. Choose the least threatening, most relevant-to-your-book group and offer to speak. Most groups love meeting an author. They love you even more if you're free. But speaking gets your name out and helps sell your books.
Study your audience. Are they married-forever couples who watch Gaither videos? Or college singles who cannot compute without Power Point presentations? Mixed ages/backgrounds? If unsure, ask your contact person and plan with the group in mind. Ponder what purpose God may have for this event. Ask what your audience would like best to hear. Then deliver.
Write it out. A 30-minute presentation often means many drafts, but we're writers, right? And you can use this material for another speaking opportunity or article.
Practice. My initial efforts are so awful, I don't even want God to see them. But a full-length mirror has proved His tool, teaching me how to stand up straight, pull in my gut and smile, even when I screw up (it also motivates me to lose a few pounds). I test-fly my words like paper airplanes. Does this sentence soar? Or sink? Will this gesture enhance my talk or make my audience think I'm swatting flies?
Finally, practice before a loyal friend who will applaud your pluses and honestly critique your minuses. Spouses? Maybe. But after your speaking gig, will you still speak to each other?
While this may appear overkill for a reading club get-together, you can always informalize your speech. Taking it up a notch proves much harder. Practice answers for any questions. I've found it helpful to re-read my book, especially if it's been a while. Forget your character's name, and your gig may prove shorter than you expected!
Preview. Arrive early for your talk. Connect with your contact, unpack props and set up your book table. If you are using technology, test it. Thoroughly. If necessary, exorcise it. I double-check podiums because I wear bifocals (the wrong height can blur my notes into blobs). I also suffer from drop-itis, so I use a loose-leaf notebook for my notes, not notecards. Keep a glass of water nearby to drink when your voice cracks or the audience doesn't get the joke. Scan your notes. Check for stuff between your teeth. Now you're ready to meet new friends! Greet everyone and tell them how glad you are to see them.
Finally, preach. You may not deliver a three-point sermon, but during any speaking engagement, you represent Jesus Christ, whether sharing your historical research with the Lions Club or giggling through your comic romance with a grandma group. Well prepared, you can relax and let the Holy Spirit use you to touch others.
Hey, speakers, what tips will help your fellow writers avoid the "run-away-to-Neptune" syndrome?
Wednesday, October 13, 2010
Speaking of Speaking
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| Crystal Laine Miller at her first speaking engagement (Imitating Bub Pope.) |
At the ACFW Conference in Indianapolis this year I met author Jim Rubart in person for the first time.We'd had some correspondence on email due to ACFW business.If you haven't checked out his site for promotion and speaking, then you simply must.His fiction book, Rooms, has garnered all sorts of honors and awards, appeared on bestseller lists,but he's also a speaker, marketing consultant and has a company called Barefoot Marketing.Also check out his list of topics on his web site--topics on which he'll speak.He's done some workshops with our own Tiffany Colter and with agent Chip MacGregor that you may wish to look into taking.
*Think about this for yourself: on what topics would you be willing to speak?
Now here's what's funny about meeting Jim. Somehow he was under the impression from my emails that I am an extrovert.A-living-out-loud kind of person.Someone like Colleen Coble.But I am an introvert.This doesn't mean I'm shy, but it does mean I need more preparation and I need recovery time after a speaking engagement.I'm more likely to not say anything until I've thought it through.I may be somewhat on the line between extrovert and introvert as this was not true when I was teaching in school every day.I could sometimes teach off the top of my head because I was passionate about and knew my topics.If you are an introvert, then this is from where you can draw your topics--the ones you are passionate about and know well.
Here are some practical things from my speaking experiences:
1. Have water nearby. (Preferably with some lemon in it.) Don't drink
caffeine drinks prior. (For two reasons!*Ask me by email.)
2. Have your handouts stacked according to presentation and marked in your outline (if you use one) when to distribute. It's best to enlist someone to disperse these as you continue to speak, so if you do that, make sure you give some time to get these to your audience because this will distract, anyway, from what you are saying. Also, if you can, disperse prior to the speaking and then indicate about when they will need this, if at all.
3. Prior to speaking, make sure people can hear you. If you have a microphone, it would be good to do a test.Don't walk in front of the amp/speakers with the microphone, if you have one/them, because some systems squawk when you do that. Ouch!
4. Don't grip the podium if you have one. (ha) Relax. These are just people you are talking to about things you are passionate about, right?
5. Try to make eye contact with those in the audience. Don't just look in one spot. Try not to take it personally if someone is not looking at you. There are such people who are auditory learners and won't necessarily be looking at you, but will be paying attention.Kinesthetic learners may be fiddling with things, too.There might be someone who is asleep (I had this happen to me when I spoke to high school students.) Think positively and don't take credit for that person taking a nap....
6. Occasionally ask questions where the audience has to participate--like
"how many of you," "raise your hands," that sort of thing, because it engages
your audience. But don't use it so often that it loses it effectiveness or gets to be distracting (like, they are counting how many times you say it. )Also, watch repeated phrases like "as such" or "you know what I mean?" or any other phrase that gets distracting--unless it has a point,of course.If all of a sudden a bunch in the back row jumps up and yells "Yes! Score!" then they're probably either listening to a game on their iPhone or you just broke your own personal record for saying, "As such."
7.No matter how serious the topic, start off with a little humor (if
appropriate) to set yourself and others at ease. Then, set the tone with some sort of anecdote.Choose carefully.If you are afraid it will be offensive, do reconsider.
8. Make your own notes about how a favorite speaker presents himself. You can always learn from a speaker who holds YOU in the palm of his hand. I was struck during the elections here in the U.S. by the various candidates and how they spoke. I think the way two in particular presented their material certainly swayed their audiences, even if you don't agree with the message.
9. Always, always take into account your audience, their point of view and
what your purpose is. Just like in writing!
10. Don't look down too much because your voice goes wherever you are
looking. If you are constantly looking down as you speak, your voice goes down into your notes, not out to the audience. If you have a microphone, make sure you speak into it, but try not to "breathe"into it.If you have to cough, take your mouth away from the mike.
11. Wear something comfortable (if it cuts off your air, you will be sorry! ha)but also choose a color that enhances your appearance and personal coloring.People get focused on your appearance and can be distracted by the weirdest things, like your hair sticking up or that you're wearing orange.Color also influences what the audience will think of you and your message. I have written articles about this. Colors convey a message, too. If you have a friend there, have that friend make sure that you don't have underwear static-clinging to your skirt or that your slip is dangling around your ankles. (Men, you know what to check....)
I am by NO means an expert and I certainly could use more experience and tips on speaking. I like how fiction authors are offering topics to speak on to groups who ask them to speak. I think you will sell more books if you offer the audience more than just your fiction. Doc Hensley told us that you need to establish your expertise in order to garner attention to your work. (That probably gets into "branding.")
Also, I think it's nice to give "gifts" to your audience--plenty of bookmarks, or similar type things. Some speakers pass baskets of chocolate or candy.It's always nice to have a "door prize,"too. (Your book, for example.)
What kinds of advice do you have for us when it comes to speaking? What has worked for you?
Here's a story you can use ,if you want, for that ice-breaking humor :
A hungry lion was roaming through the jungle looking for something to eat. He came across two men. One was sitting under a tree reading a book; the other was typing away on his laptop.
The lion quickly pounced on the man reading the book and devoured him.
Why? Because even the king of the jungle knows that readers digest and writers cramp.
~Crystal Laine Miller
Saturday, May 8, 2010
Having "Enough"...and Wanting More
I’d been working my bloomin’ tail off at the day job to get a book out for my employer, I was crosseyed with fatigue, and yet I still took two projects home that Friday evening, something I never do...simply because I didn’t want to look like someone who didn’t care if her colleagues’ work went out on time
I’m here to tell you...this is a bad idea.
As I writer, I experience a different kind of “off” time from my fellow editors.They’re readers, with no real aspirations to write. When they go home from the office, they don’t go “home” to another “office.
But I do. And therefore, there come places at which I’ve finally had to say, “Enough.”
Those manuscripts I took home? They sat all weekend in the same place I put them on Friday afternoon. I felt guilty about it, but not enough to do anything more than say, “Nope. Burned out here. No can do.”
That week, I was working on Chapter Two of a new story. (I’m still working on Chapter Two of that new story!) I like this story. I could, eventually, love this story...if I made it a priority and wrote more per day. But when one comes home tuckered from one’s day job, it’s not a matter of priorities. It’s a matter of sheer lack of physical and emotional energy.
Which got me thinking about when it’s time to say “enough” to someone else’s mission...and embrace one’s own.
You see, there is another gig around the world of writing, one that doesn’t exhaust me—in fact, it fires me up creatively: speaking to writers about writing. I do it online, I’ve done it “live”at conferences, and I want to do more of it. Some people tremble at the thought of speaking, teaching, or presenting. Not me. I’d love, love, love, to do more of it. But when I have a week or two, or a weekend, like this, I wonder how I’ll ever make that transition.
So I’ve decided to do something really radical, for me at least: ask for help.
If you are a person, or know a person, who’s looking for an experienced (ohhh, boy, am I) veteran to come into a workshop, conference, or writing program and put the rookies through some basic training...
...please pass my name along.
I give you permission. Carte blanche. With only one condition.
Do not pass me along to people who only want someone to do this for free. (!)
(Please understand, I do know that the occasional free gig is fine. But as a habit? Not so much. The Bible says the laborer deserves his/her fair wage. Besides, one look at me should tell you...I like to eat. ‘nuff said.)
Bottom line is, it’s long past time, in this writer’s life, to connect with people who’ll appreciate what I’ve come to understand about the writing trade over the past (you don’t want to know how many) years, and who may be willing to offer good old-fashioned honest Coin of the Realm for it.
So I’m hanging out the shingle. I’m placing the fleece. I’m praying for the best. And, with a few blessings, sooner rather than later, I hope to say “Enough!” to the rest.
Thoughts?
Janny
(Janet W. Butler)
